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The pieces of clothing, as often as possible decorated with embellishing parts, are typically painted in red, blue or yellow and the folds are showing with essential equivalent lines. The structure lines are particularly portrayed and the showing of the face is executed using a plain coral red achieving an unnatural effect.

 

Works painted in the subsequent Mandarin style (under), which was developed for the most part during the standard of Ieyasu II (1730-1755), have hazier shades of concealing; the structure lines become lighter and an undeniably delicate usage of hiding presents volume to the bodies and faces of the figures. Different new subjects, an impressive parcel of which were charged up from books engraved in Europe, appear during the eighteenth century and it ends up being dynamically ordinary to find depictions of advocates and allies.

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