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The period known as Zemene Mesafint, or the Era of Judges, begins with the declaration of Emperor Iyosas. This period, which persevered through pretty much quite a while, saw a diminishing in the reputation, effect, and authority of the Solomonics, and saw the rising of different neighborhood warlords who fought against each other for uniqueness. This period has gotten less thought from classicists, yet seems to have been depicted by a lessening in the improvement of craftsmanship. Fine arts from this period are unequivocally obliged to works executed during the second Gondarine style with respect to subjects and designs, yet the reach used by experts moves without a doubt toward unbelievable, plain tones.

The last credible period begins with the move to the favored place of Tewodros II, who ensured Solomonic dive and gets done with the declaration of Haile Selassie, the event that indicates the completion of Solomonic rule in Ethiopia.

During the last piece of the nineteenth hundred years, church painting continues to show commitment to the second Gondarine style, but contemporary figures and events are depicted near severe subjects with a rising repeat. Moreover, while allies had inconsistently been depicted from the Zagwe time period onwards in a celebrated manner, by the turn of the twentieth century they are portrayed even more things being what they are, as ought to be noticeable to the painting of Emperor Menelik II (above) in the assembly of Entoto Raguel.