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Works painted in the subsequent Mandarin style (under), which was developed for the most part during the standard of Ieyasu II (1730-1755), have more dark shades of concealing; the structure lines become lighter and a more delicate usage of covering gives volume to the bodies and faces of the figures. Different new subjects, various which were persuaded from books engraved in Europe, appear during the eighteenth century and it ends up being logically typical to find depictions of supporters and sponsors. The pieces of clothing, routinely embellished with spicing up parts, is typically painted in red, blue or yellow and the folds are exhibiting with essential equivalent lines. The structure lines are especially described and the showing of the face is executed using a plain coral red achieving an unnatural effect.