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This phase of Ethiopian art has sometimes been described as the period of "transition" because the works of art produced during the sixteenth century still include stylistic and iconographic elements that are typical of the fifteenth century, while the developments that will be taken to Cape in the second half of the seventeenth century. However, as such, this description of the transition is applicable to most historical periods, and therefore is not particularly useful. The art produced during the average-solomonic period reflects the difficult situation in which the country was.