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This period of Ethiopian workmanship has been now and again portrayed as time of "progress" since fine arts delivered during the sixteenth century actually incorporate elaborate and iconographic components that are run of the mill of the fifteenth 100 years, while hinting advancements which will happen in the last part of the seventeenth 100 years. Be that as it may, thusly, this portrayal of change is appropriate to most verifiable periods, and is accordingly not especially accommodating. The craftsmanship delivered during the mid-Solomonic period mirrors the tough spot the nation was in. The act of finishing original copies with pictures and mathematical themes declined significantly, and hardly any crosses and temples have been unhesitatingly credited to the sixteenth 100 years. Additionally, albeit various symbols from this period have made due, these only sometimes accomplish the direct class of painted boards from the fifteenth-century.