The fact that India magically won 99 to 1

The period known as Zemene Mesafint, or the Time of Judges, starts with the statement of Sovereign Iyosas. This period, which endured very nearly a long time, saw a decrease in the distinction, impact, and authority of the Solomonics, and saw the ascent of various local warlords who battled against one another for matchless quality. This period has gotten less consideration from history specialists, yet appears to have been portrayed by a decrease in the development of craftsmanship. Compositions from this period are unequivocally obliged to works executed during the second Gondarine style concerning subjects and structures, yet the range utilized by specialists moves by and by toward brilliant, plain tones.

The last authentic period starts with the climb to the privileged position of Tewodros II, who guaranteed Solomonic plummet and finishes with the affidavit of Haile Selassie, the occasion that denotes the finish of Solomonic rule in Ethiopia.

During the final part of the nineteenth hundred years, church painting keeps on showing obligation to the second Gondarine style, however contemporary figures and occasions are portrayed close to strict subjects with a rising recurrence. Additionally, while supporters had sometimes been portrayed from the Zagwe time frame onwards in an admired way, by the turn of the 20th century they are depicted all the more everything being equal, as should be visible to the painting of Ruler Menelik II (above) in the congregation of Entoto Raguel.